Showing posts with label Cruise 2009. Show all posts
Showing posts with label Cruise 2009. Show all posts

Thursday, August 14

ORANGE is the new pink

It takes time and good effort to kick a king colour out but, above all, it takes a bored audience in need of a fresher proposition. And this is the case of good ol’ pink. It has been one of the key hues for decades, predominating in fashionistas’ and self-proclaimed girly girls’ wardrobes. But the time always comes when change calls for itself and we can’t but applaud. Orange is quickly catching up taking advantage of pink’s decadence. The occurrence of such a change could not go unnoticed on the red carpet. Have a look at the innovative celebrities who took a risk when the process was only starting out.


Sophia Bush and Victoria Beckham were two of the first ones who dared to cover their skin with the bold colour. They both went for simple cuts and subtle draping and accessories that didn’t get much attention away.

American indie princess Kristen Dunst also chose a very simplistic silhouette in a darker shade and accompanied it with white retro accessories. Cameron Diaz found a very sexy short dress in a dark orange as well. In her case cuteness in brought into the picture by a decreasing line of ruffles.

Gucci’s resort 2009 collection introduced orange in responsible doses to a major part of the collection. It was this maxi dress, however, that is almost an homage to the new king colour. Natasha Poly wore it to Gucci’s 70th Anniversary with her hair down, as did Blake Lively also showcasing her golden threads.

The last famous portrayer of the latest popular colour has been Maggie Gyllenhaal, who wore a beautifully laced and semi-see-through dress that definitely matched her adorable green eyes. Are we looking at the next style transformation à la Gwyneth?

[Picture credits: JustJared and Style.com]

It’s great to be back!
I’m off.

PS. Comments will be answered during the next few days. Thanks again for keeping on coming back.

Thursday, June 19

to DIE for, vol. 2

And here I am again. Let’s resume and put an end to the S/S’08 dress special.
Following my habit of picking up my three favourite dresses, I chose the following. First, Versace’s surprisingly tasteful sky-blue gown. And I say surprisingly because if there is something Donatella usually lacks that is taste, which is the reason for my doubting her involvement in the collection. Next is Donna Karan’s pale pink dress. The beauty of it lays in the draped front and in the ingenious triangular black straps. The futuristic wrap-up dress with beading details by Marc Jacobs is my third favourite pick.
Looking at the rest of the list we find Oscar de la Renta’s blinding dress, where a flowery ingredient is brought it by a sort of see-thru cut-play. Right next to it is Celine’s über-cute dress. The cut, the neck and the penguins make it perfect for a shopping day in town. Tory Burch combines Diane Von Furstemberg’s S/S idea with bold colours, a very fun and playful choice.
However, this summer is time for maxi-dresses and it seems only obvious when looking at these collections. Consuelo Casteglioni’s refreshing touch at Valentino’s has provided very elegant dresses such as the one above in pale pink. Cavalli’s Cruise collection was remarkably good and very him, which is not a usual combination. He has managed to get quite a lot things going on in a dress without letting it go over-the-top. Now, when talking maxi, Carolina Herrera is also well experienced. I am very fond of that sofa-like print; it is just so east coast elegant.
The last set of dresses includes Philip Lim’s perfect approach to boho chic in a colour for all seasons; a bright blue Yigal Azrouël draped like a venetian curtain and calling out for attention; and a Jonathan Saunders' arty colour-craze.
Your thoughts?
[Pictures credit: Style.com]

I’m off.

Monday, June 16

to DIE for, vol. 1

It is funny how I first felt contempt when faced with Resort collections and then, as the ones worth looking at came out, I was left in awe. Curiously enough, those designers thought to be the big genius minds of the industry were the biggest disappointments of what I like to call the “Resort experience”. Lagerfeld, de la Renta, Herrera, Galliano; they all came up with what they thought were brilliant ways of reinventing their signature looks for Cruise, that still out-of-grasp term known more for inflating pockets than for pushing fashion forward. Nonetheless, there are always great minds that escape financial purposes and put themselves out there to show that there is more to have than just a name and glamorous quirks.
Newer members of the fashion world use every available occasion for showing off their creative skills and taking further steps into a growingly snobby industry. Thanks to this, we find innovative and sleek Resort collections from the hands of Yigal Azrouël, Brian Reyes, Jonathan Saunders or Lazaro Hernandez and Jack McCollough to name a few. Despite the fact that it is them —the less broadly applauded— that tend to lately outshine the experienced, I feel I cannot deny Cavalli, McCartney and Miuccia some credit. The last two also tend to keep living by they fashionable style morals not letting us down regardless of their success as brands. But Cavalli, he is like a rollercoaster where the ups and downs change with every turn. One moment he is disgustingly tacky and next thing you know, he has come up with the chicest Italian-boho collection. Being completely honest, this can be bad and good, as anything coming from him is surely unexpected.
All this said I should get to the point. Cruise collections have helped me put together a special I have been meaning to do for a few months, ever since S/S 2008 premiered on the runway. A special on dresses; what I believe to be a girl’s best friend, or rather, ally. They are feminine, fresh, comfortable and versatile —what else is there to be asked?
Have a look.

Let’s first look at my picks from Spring/Summer’08. The three dresses topping my favourites list belong to the collections I liked the most this season. First we have the futuristic simple YSL cotton dress Stefano Pilati delighted us with and one we have already seen several times walking down the red-carpet, although no one pulled it off quite like Kate Moss in the ads for the brand. Next is Alber Elbaz’s vision of an intense-coloured wild garden. I am crazy for Lanvin’s ruffles and they seem the best choice for a stylish summer night. The third of the gowns is by Roberto Cavalli, my eternal uncertainty. His summer bohemian take on flower motives transported onto silk, especially on this piece, looks like a 21st-Century Midsummer Night’s Dream. If only Shakespeare would rise up.

Next on the list are Phillip Lim’s beautifully draped earth-coloured gown, Stella McCartney's sheer short dress in her acclaimed floral print, and Paul Smith’s view on nerd goes chic following the stripe trend.

As tired as I am of the waist-belt thingy, I can’t but admit the intelligence of Max Azria’s layered dresses. The way he plays with layers and fabrics is simply fantastic. As fantastic is de la Renta’s puffy black and red gown.

When looking for a fabulous white dress, Carolina Herrera is most likely to be the chosen one. Her clean and simple lines and deliciously made detailing make her pieces timeless picks. Dolce & Gabbana’s obsession with art results in dramatic gowns where brush strikes interact with gauze in perfect unison. The last gown in the picture is Balmain’s genius ultra-hippy look. A perfect combination of tie-dyed fringes and vaporous printed gauze.

Alexander McQueen never lets down when it comes to dresses. Whether looking at his wonderful suit-like grey short dress with my adored red corset or at the peacock-dream gauze one, you can’t but be amazed. Alberta Ferreti, on her side, delighted us with her ancient Greece dream where goddesses walk down the street in silver flip-flops.

Prints are in and we know it. So why not going for a dress from one of the kings of prints —Pucci. While his crazy take on colours can be a little overwhelming for the winter, it is a perfect choice for a house party by the pool. Less pool-friendly but equally colourful are Catherine Malandrino’s summer gowns. The key is the detailing —glittery beads in a V-shape or subsequent watermelon layers that reach the floor.

Missoni’s collection was if anything rich. Their signature print makes and outstanding maxi-dress and the sequenced and jewelled parts make your diamonds unnecessary. Fendi goes simple with the cleanest of gowns, letting their coloured-stones belt be the protagonist.

Seeing the length of this post so far, I have decided to leave my picks from the Resort collections for a coming post. I have retaken my blogger duty with way too much enthusiasm but that shall not be the excuse to bore you to death.

Which ones are your favourites? Any major designs I have missed?

[Pictures credit: Style.com]


I’m off.

Sunday, June 15

blame it on the educational system

I know, soVIPzone has been dead for over a week without warning. To those of you who visit it often for updates, I am sorry! School has been an even bigger pain the the butt and I haven't been able to update at all. However, this situation changes, starting today. With the new week new updates will come, so keep checking back!

Picture: Marc Jacobs, Cruise 2009
[Credit: Style.com]

I'm off.

Thursday, May 29

so much for not caring 'bout RESORT

Let me begin this post apologizing once again for my week-long absence. As the end of the school year approaches (yeah, I am not done yet!) things start to pile up and I need to deal with them. However, one shall never be too harsh with oneself, so I indulged myself with some partying and going out.


This said, I may proceed. When I last posted about Cruise collections, going on about what a bore they were I never thought I would be moved by one of them. Alessandra Facchinetti has done an amazing work with this collection. I have always liked Valentino for sticking to his taste but, quite honestly, after so many years doing red gowns he was surely running out of originality. This is where Ms. Facchinetti comes in. She's refurbished V's spirit with subtle elegance and up-to-date innovation while staying true to the soul of the italian designer. Women have dreamt of wearing Valentino for as long as the designer started drafting, and that won't change. Ruffles and bows are the main adornments in these dresses, they stick out on the sides of skirts and fronts of silk blouses. Silhouettes are simple and chic with the right amount of modernity and the colours serve their dynamism purpose without snatching attention from the cuts.
As I watched the collection, a certain fiction lady came to my mind. Isn't this collection perfect for Lily Van Der Woodsen? Serena's über-chic mum is the ultimate example of modern elegance achieved through simplicity and stamping your character clear on your outfit.


Loving or hating Valentino's refreshed visage?

[Picture credits: Style.com & Cw.com]

I'm off.

Sunday, May 18

week's HIGHLIGHTS

It's been a nice week y'all. I have finally had an uneventful, still and quiet week. Thank God.
I have this compulsive disorder which consists on me saving all the images I like when I surf the net. I only keep the more recent ones —that's to say, the ones from the last 6-10 months— but even if I make a deleting session every once in a while, the current collection is made up by some 10.300 pictures of catwalk shots, celebrity candids and other various sorts of crap. I couldn't live without it, though, as there's nothing more amusing than wasting away hours and hours of my life watching and re-watching all these images. And that's exactly how I got to the conclusion that I wanted to make a week's highlights this lovely sunday morning.

The week kicked off quite spectacularly with Cannes festival and a radiant Cate Blanchett fresh out of the Olympus in a wonderfully layered Armani Privé that went perfect with her skin-tone. Later in the festival (yesterday) Penélope Cruz arrived in the exclusive festival to promote her Woody Allen film in a quite simple dress of a a beautiful shade of blue with the most fantastic delicate details in wine velvet. Matching shoes.

Cannes also means Brad Pitt tosses out his dreadful ordinary clothing (I guess he thinks scruffy is synonym for masculine) and gets into his custom made Tom Ford suit and an amazing piece of the most brand-new eyewear. Of course, Mr. Pitt goes nowhere without Mrs. Pitt. Angelina has now mastered the art of being pregnant and dressing as a deliciously chic (yet wildly sexy) mom-to-be.

The last entertainment of the week has been the launch of some Cruise 2009 collections. I have to say, I find Cruise such a bore, but I can't ignore it. De la Renta used some nice über-bright colours and his usual silhouettes and cuts. It was all very summery, elegant and feminine; but blah.
Fendi didn't do the runway and simply took photos of the models in one of their stores. While the clothes are not very Fendi-like, I liked the simplicity of them. I did find them very resort, a bit Alexander Wang S/S'08, but booooring.

Christian Dior presented a collection with too much going on, which doesn't strike as surprising coming from Galliano. It was very old Hollywood glamour if the hills were in Mexico. Folk, loads of bold colours and flowers.

Chanel had the longest (or maybe it was me) Resort collection ever and, while I cannot speak ill of Herr Lagerfeld, it was not amazing. Plenty of pretty, well-crafted dresses. I am into that kind of hippy-star-goes-to-rehab look (specially on Sasha) but it was otherwise just amusing. I did love Diane Kruger in a lovely dark blue mini dress and a straw hat.

[Picture credits: JustJared & Style.com]

I'm off.