Showing posts with label Alberta Ferreti. Show all posts
Showing posts with label Alberta Ferreti. Show all posts

Thursday, November 24

Gossip Girl Fashion- ‘All the Pretty Sources’
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We're not even halfway through season 5 of Gossip Girl but even without watching the rest I would dare say this is the best look! Serena wears one of the best pieces from Mary Katranzou's SS11 collection for Blair's shower. I can't tell you how excited I was to see this. It was something I didn't see coming (which is brilliant!) and also something that suits Blake's character so well. Not to mention how occassion-appropriate the dress was. I also have to say that I loved the accessorising –the über-long pearl necklace, the patchwork Louboutin heels (which wouldn't work in another scenario) and the super cute messy pony tail tied up in a pink bow. This is the best Serena has looked in all of this season! Hopefully we will get to see her in some of the incredible pieces Katrantzou created for FW11 and (my favourite) SS12, that would just make me so happy!
I am so ecstatic about this look I will not even mention how overdressed Serena's day outfit was. Ha!
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Style.com, JustJared, CWtv.com
I think I've figured out what's wrong with Blair's styling as of late. All the necklines of everything she wears are very off. All the garments also happen to be quite loose around the waist so perhaps they're trying to give her a 'pregnant look' to go along with the plot? I wish they looked at Beyoncé or Nicole Richie for examples of how to dress pregnant. Even Victoria Beckham!
I really disliked B's day look in this episode. It was way too fussy even though the pieces individually were quite nice –I loved the Alberta Ferretti dress and the Moschino jacket but not together! And I wish they stopped doing head pieces! The evening look was a lot nicer, fun and very Blair. It gave her an odd flat chest but at least it was sexy and different!

Thursday, October 7

Sheer pleasure

I don't know about you but I have missed the Olsens during fashion month! They didn't use to go along with the fair but at least they showed up at some New York shows and there was always the big Chanel appearance. But we're getting none of that lately, which is odd because they had to be in Paris during fashion week to show their The Row collection. In any case, we will always have the classic paparazzi shops of them going shopping and popping into Starbucks. The latest of these has been Ashley's visit to Céline. The chicer part of the Olsens stepped out in a cropped mega fluffy fur coat which she paired up with a black sheer maxi skirt and leather leggings showing she's so fashion forward she already knew these skirts would make a hit for SS11.
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Ash's take on the sheer maxi seems to be a practical way of mixing together different season's trends. SS11 offers many different options within two main categories: rock & roll and romantic. Houses like Givenchy took sheer to a new level by printing it with leopard while others like Rag & Bone and Alberta Ferreti used a soft palette or florals for a kind of urban boho look.
I also really liked the mixture of textures in Ashley's outfit and the good combination of the black, the blond fur and the gold of the jewellery. I had a look on Net-a-Porter to see which fur (fake and real) they're offering this season and cropped is definitely the way to go wether you are a fan of Fendi's luxury or Burberry's über-fluffy pieces.

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I'm off.

[Pictures: Celebrity-Gossip.net, Style.com, Net-a-porter.com]

Tuesday, March 2

Milan highlights

Whether is was entirely due to Anna Wintour's preferences or not, Milan fashion week occurred way too fast. We almost didn't have enough time to savour every collection the way they deserved. As it happened in London, the Italians proved that they know the direction they're going and that they haven't lost that savoire faire that first made them so popular. For the first time, I have organised the collections in order of my liking (excluding, of course, Marni and No. 21 which deserved special mention). Dolce & Gabbana pleasantly surprised me this season rooting back to their great basics and putting special emphasis in power dressing. Gucci, who in past seasons seemed unfocused, came back better than ever with an ode to Tom Ford times. While Donatella is still trying to find something that deserves having his brother's name on the tag, Christopher Kane's intervention at Versus succeeded in bringing the brand back into fashion from obsoleteness. —What's your favourite?
[Pictures: Style.com]
I'm off.

Sunday, January 10

midsummer night's dream

Jak & Jill triggered it, we followed, and then this. W magazine's January issue presents us with a girl's dream wardrobe in the soft colours and fabrics of the season. THANK YOU.

'Run of Show'
W magazine, January 2010
Photos by Craig McDean

xo Giuls

Saturday, December 26

ancient mode

Every Christmas I seem to find something very special in fragrance ads. They certainly don't do their job —I never even consider buying essence of this or eau of that— but I literally can't stop looking. I love the one for L'Eau Ambrée by Prada. The first time I saw it (the same happened with the SS09 print advert) I couldn't stop thinking about the frontons of the buildings in ancient Rome and Greece. I've always loved how artists managed to sculpt every figure in such detail that the most minute pleat and wrinkle weren't missed. And the whole group in the composition had the shape of an isosceles triangle so that it would fit in the top structure. Finally, I just looked at a few collections that took inspiration from the ancient Rome and Greece —be it from the art or otherwise.
[Picture credits: Style.com, Prada]

I'm off.

Monday, June 16

to DIE for, vol. 1

It is funny how I first felt contempt when faced with Resort collections and then, as the ones worth looking at came out, I was left in awe. Curiously enough, those designers thought to be the big genius minds of the industry were the biggest disappointments of what I like to call the “Resort experience”. Lagerfeld, de la Renta, Herrera, Galliano; they all came up with what they thought were brilliant ways of reinventing their signature looks for Cruise, that still out-of-grasp term known more for inflating pockets than for pushing fashion forward. Nonetheless, there are always great minds that escape financial purposes and put themselves out there to show that there is more to have than just a name and glamorous quirks.
Newer members of the fashion world use every available occasion for showing off their creative skills and taking further steps into a growingly snobby industry. Thanks to this, we find innovative and sleek Resort collections from the hands of Yigal Azrouël, Brian Reyes, Jonathan Saunders or Lazaro Hernandez and Jack McCollough to name a few. Despite the fact that it is them —the less broadly applauded— that tend to lately outshine the experienced, I feel I cannot deny Cavalli, McCartney and Miuccia some credit. The last two also tend to keep living by they fashionable style morals not letting us down regardless of their success as brands. But Cavalli, he is like a rollercoaster where the ups and downs change with every turn. One moment he is disgustingly tacky and next thing you know, he has come up with the chicest Italian-boho collection. Being completely honest, this can be bad and good, as anything coming from him is surely unexpected.
All this said I should get to the point. Cruise collections have helped me put together a special I have been meaning to do for a few months, ever since S/S 2008 premiered on the runway. A special on dresses; what I believe to be a girl’s best friend, or rather, ally. They are feminine, fresh, comfortable and versatile —what else is there to be asked?
Have a look.

Let’s first look at my picks from Spring/Summer’08. The three dresses topping my favourites list belong to the collections I liked the most this season. First we have the futuristic simple YSL cotton dress Stefano Pilati delighted us with and one we have already seen several times walking down the red-carpet, although no one pulled it off quite like Kate Moss in the ads for the brand. Next is Alber Elbaz’s vision of an intense-coloured wild garden. I am crazy for Lanvin’s ruffles and they seem the best choice for a stylish summer night. The third of the gowns is by Roberto Cavalli, my eternal uncertainty. His summer bohemian take on flower motives transported onto silk, especially on this piece, looks like a 21st-Century Midsummer Night’s Dream. If only Shakespeare would rise up.

Next on the list are Phillip Lim’s beautifully draped earth-coloured gown, Stella McCartney's sheer short dress in her acclaimed floral print, and Paul Smith’s view on nerd goes chic following the stripe trend.

As tired as I am of the waist-belt thingy, I can’t but admit the intelligence of Max Azria’s layered dresses. The way he plays with layers and fabrics is simply fantastic. As fantastic is de la Renta’s puffy black and red gown.

When looking for a fabulous white dress, Carolina Herrera is most likely to be the chosen one. Her clean and simple lines and deliciously made detailing make her pieces timeless picks. Dolce & Gabbana’s obsession with art results in dramatic gowns where brush strikes interact with gauze in perfect unison. The last gown in the picture is Balmain’s genius ultra-hippy look. A perfect combination of tie-dyed fringes and vaporous printed gauze.

Alexander McQueen never lets down when it comes to dresses. Whether looking at his wonderful suit-like grey short dress with my adored red corset or at the peacock-dream gauze one, you can’t but be amazed. Alberta Ferreti, on her side, delighted us with her ancient Greece dream where goddesses walk down the street in silver flip-flops.

Prints are in and we know it. So why not going for a dress from one of the kings of prints —Pucci. While his crazy take on colours can be a little overwhelming for the winter, it is a perfect choice for a house party by the pool. Less pool-friendly but equally colourful are Catherine Malandrino’s summer gowns. The key is the detailing —glittery beads in a V-shape or subsequent watermelon layers that reach the floor.

Missoni’s collection was if anything rich. Their signature print makes and outstanding maxi-dress and the sequenced and jewelled parts make your diamonds unnecessary. Fendi goes simple with the cleanest of gowns, letting their coloured-stones belt be the protagonist.

Seeing the length of this post so far, I have decided to leave my picks from the Resort collections for a coming post. I have retaken my blogger duty with way too much enthusiasm but that shall not be the excuse to bore you to death.

Which ones are your favourites? Any major designs I have missed?

[Pictures credit: Style.com]


I’m off.