1. Personalised Pegase 55 trolley @LouisVuitton.com , 2. Trussardi 1911 ethnic print bag @ Yoox.com, 3. Lanvin quilted leather suitcase @ Net-a-Porter, 4. Prada striped tote @ Saks.com, 5. Mulberry hot pint fold-up bag @Net-a-Porter, 6. Missoni travel bag @ Yoox.com, 7. Alexander Wang leather back pack @ BrownsFashion.com, 8. Personalised Keepall 55 @ Louis Vuitton.
Showing posts with label Trussardi 1911. Show all posts
Showing posts with label Trussardi 1911. Show all posts
Friday, April 8
Labels:
airport chic,
Alexander Wang,
Lanvin,
Lily Allen,
Louis Vuitton,
luggage,
Missoni,
Mulberry,
Prada,
Trussardi 1911
Sunday, June 20
Forza Italia
Even though Jil Sander and Haider Ackermann had been the first catwalk shows to open the SS11 season at the Pitti trade fair Men's fashion week officially kicked off in Milan yesterday with big names the likes of Burberry Prorsum and Dolce & Gabbana opening. I am trying hard to catch up as I was flying home yesterday so I decided to sum up the first of the first day in one post. I will, from now on, try to make individual posts of my favourite shows and review them.
Jil Sander was the first show to be streamed live and both the collection and the location of the show lived up to the excitement that first shows entail. Talk about colour blocking. Raf Simons epitomised the famous trend with taste and skill. The bold colours appeared to have been carefully hand-picked to only use the best shades, including the über-famous Klein blue. Tailoring was the protagonist of the collection, with slight variations like crotch-scrathing shorts and belted blazers. And the colourful soles of the shoes were to die for.
Christopher Bailey made me smile. Despite how much I loved the shearling jackets from Burberry Prorsum's FW10 collection I was overall a little disappointed in Bailey's restraint. That's why I loved SS11 so much. The Burberry essence is ever present in the shape of the staple suits and trench coats and the brand's iconic colours. But SS11 introduced a hardness factor by means of leather and spikes that seems almost medieval which creates the most interesting combinations of texture in contrast with the remains of Burberry's traditional romantic softness. A collection absolutely packed with future best-selling items.
Domenico and Stefano already redirected their men's line for FW10 taking inspiration from the Sicily of the 1920's. They opted for the kind of all-star Italian clothing that had put Italy in the fashion map in the past. Fortunately, they continued to follow that line for SS11. They celebrated their 20 anniversary with the most delightful colour palette of whites and faded greys and blues. The kind of clothes a Mediterranean man was expected to wear for Sunday mass when the sun was shine bright and hot. I absolutely melt at the light creme and white combos for suits and the utterly retro underwear.
To me, Corneliani was all about the trousers. They took the baggy linen suit trouser Armani has been doing for years and reformatted it for the younger, cooler man. They wrinkle just the right amount at the bottom to add a touch of casualness without the risk of looking sloppy.
Season after season I always love Trussardi. There is something so Italian and so cool about it that simply drives me crazy. For SS11 they picked up on leopard just as so many women's Cruise'11 lines did. And they did so in just the right amount so as to not look tacky. It is true YSL had done the same belt before and Acne the same desert boots but Trussardi takes it to a new level by creating jackets in blue and khaki leopard prints that hadn't been done before in menswear. I simply can't wait to get a hold of most of the pieces from this collection.
I'm off.
[Pictures: Style.com, GQ.com, DianePernet.typepad.com]
Jil Sander was the first show to be streamed live and both the collection and the location of the show lived up to the excitement that first shows entail. Talk about colour blocking. Raf Simons epitomised the famous trend with taste and skill. The bold colours appeared to have been carefully hand-picked to only use the best shades, including the über-famous Klein blue. Tailoring was the protagonist of the collection, with slight variations like crotch-scrathing shorts and belted blazers. And the colourful soles of the shoes were to die for.
Christopher Bailey made me smile. Despite how much I loved the shearling jackets from Burberry Prorsum's FW10 collection I was overall a little disappointed in Bailey's restraint. That's why I loved SS11 so much. The Burberry essence is ever present in the shape of the staple suits and trench coats and the brand's iconic colours. But SS11 introduced a hardness factor by means of leather and spikes that seems almost medieval which creates the most interesting combinations of texture in contrast with the remains of Burberry's traditional romantic softness. A collection absolutely packed with future best-selling items.
Domenico and Stefano already redirected their men's line for FW10 taking inspiration from the Sicily of the 1920's. They opted for the kind of all-star Italian clothing that had put Italy in the fashion map in the past. Fortunately, they continued to follow that line for SS11. They celebrated their 20 anniversary with the most delightful colour palette of whites and faded greys and blues. The kind of clothes a Mediterranean man was expected to wear for Sunday mass when the sun was shine bright and hot. I absolutely melt at the light creme and white combos for suits and the utterly retro underwear.
To me, Corneliani was all about the trousers. They took the baggy linen suit trouser Armani has been doing for years and reformatted it for the younger, cooler man. They wrinkle just the right amount at the bottom to add a touch of casualness without the risk of looking sloppy.
Season after season I always love Trussardi. There is something so Italian and so cool about it that simply drives me crazy. For SS11 they picked up on leopard just as so many women's Cruise'11 lines did. And they did so in just the right amount so as to not look tacky. It is true YSL had done the same belt before and Acne the same desert boots but Trussardi takes it to a new level by creating jackets in blue and khaki leopard prints that hadn't been done before in menswear. I simply can't wait to get a hold of most of the pieces from this collection.
I'm off.
[Pictures: Style.com, GQ.com, DianePernet.typepad.com]
Labels:
Burberry,
Corneliani,
creme,
Dolce and Gabbana,
Jil Sander,
leopard,
linen,
menswear,
Milan Fashion Week,
orange,
S/S 2011,
suits,
Trussardi 1911,
white
Tuesday, January 19
what happened in Milan
Milan Fashion Week was only the first half of all the good things to come for menswear. However, it has been a very exciting few days thanks to the live streaming of the fashion shows and all the twittering going on. I am overall very pleased with what I have seen. Designers have restrained themselves and have hence found new ways to let go of their prodigality via textures and colours. My biggest joy? —Gucci and the return of the turtle neck and blazer combo. Which collection was your favourite?
[Pictures credit: GQ.com]
I'm off.
Saturday, June 27
classic is never démodé
It is finally here. Even though we are already three days into Paris Fashion Week I thought a recap on Milan was in order. I have left out many designers —those who did not innovate enough or whose creations simply did not appeal to me. In any case, S/S 2010 seems to only have recession in the back of its head. Most designers have gone back to basics —blazers and all types of tailored pieces filled the runway and they did so with pleasantly surprising twists to them. Have a look.











D&G was not innovative or fresh but at least they changed their black and blues for beiges and browns. It is better than nothing.

This was, by far, the biggest surprise. I would have not expected Ferragamo to put together such an excellent collection of timeless pieces that feel so cool and fresh.

I want to wear Marni for the rest of the summer. The cuts are so clean, the colours so softly elegant and the fit so comfy-looking that, could I afford it, you would not catch me wearing any other brand.

This was very much a flash collection, it did not even reach the traditional circa-30 looks. But sometimes less is most definitely more. And a restricted palette can make everything all the more interesting. Zegna left their textures speak.

Trussardi perspired coolness from the hip twist on formal wear to the native American inspiration dominating the second half of the show. It is urbanwear but distinctive, and I love it.

The only thing I kept thinking while looking at the Missoni collection was: "This is exactly what Chuck Bass would wear if he went to Oxford". I believe that statement to be self-explanatory.

Another surprise. Not a big big one but surprise all the same. I never like Moschino, I have always thought it to be very cheap-looking and tacky. This collection changed my mind. Even when the detailing (be it embroidery or print) might seem a little too much, it is a very new-looking collection that will possibly redirection the brand somewhere more tasteful.

I have been staring at all these looks for a couple of days trying to decide whether I like it or not. It is innovative, fair enough. But is McQueen getting too relaxed on his golden throne and thinking he can get away with anything?

Too many layers for any Italian, Spaniard, French or Greek. And I love grey to pieces but this collection does not seem very realistic when it comes to the season it is for. Now, Miuccia has played most skillfully with different materials. I am specially fond of those cottony nets.

Funny how such an Italian brand can feel so oddly British. This takes me back centuries to dodgy parts of London when burglars stole expensive garments and wore them to pretend they were posh. Only Zegna makes burglars look pretty damn stylish.

And here goes my first disappointment of the season. This Gucci collection was too diffuse, too white, too old Gucci. I did love the fit of the trousers, all of the shoes and those prints Frida Giannini uses so well.

Not groundbreaking but at least Bottega Veneta stepped out of their comfort zone and showed plenty of pieces men of any age and nationality would love to throw on their back.
D&G was not innovative or fresh but at least they changed their black and blues for beiges and browns. It is better than nothing.[Pictures credit: Men.Style.com]
I'm off.
Wednesday, June 24
coming up...
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